Creator

Billy is a theatermaker, journalist, and educator. The Voices in Your Head and Slanted Floors, both site-specific plays, received Drama Desk Award nominations for Unique Theatrical Experience, with the latter named one of Vulture’s top ten plays of 2025. Billy is Theater Editor at the Brooklyn Rail where he contributes monthly essays about new plays, often experimental ones with shorter runs. For his writing, he has received a Silvers Grant and the George Jean Nathan Award for Dramatic Criticism. Billy teaches with The School of The New York Times and American College Theatre Festival. billymcentee.com

Director/Producer

Ryan is one of the Producing Artistic Leaders of The Movement Theatre Company, through which he has won a Lortel Award and Drama League Award. Alongside Billy McEntee, he received two back-to-back Drama Desk Award nominations for Unique Theatrical Experience for the site-specific productions Slanted Floors and The Voices in Your Head. Other select recent directing: Roomies (2026 Edinburgh Fringe Festival), Natasha, Pierre, and the Great Comet of 1812 (Montclair State University), Ego Show (2025 Edinburgh Fringe Festival), you don't have to do anything (HERE Arts/Will Arbery), We Shall Someday (Alabama Shakespeare Festival), Into the Woods (Yale), A Number (Drama League), multiple 24 Hour Plays galas, plus development and concerts with Atlantic Theater Company, Page 73, Powerhouse Theatre, NYSAF, NYTW, The Eagle NYC, Joe’s Pub, Fault Line, NAMT, The Civilians, Williamstown, Playwrights Horizons, The Elysian, Ars Nova, Rattlestick, Hunter College, Wesleyan, and Tufts. Broadway associate directing: Becky Shaw, Merrily We Roll Along, The Last Five Years, Diana. Upcoming directing: Finn the Musical (Atlantic Theatre Company), The Rise and Demise of Zuke and the Electric Jukes (in concert), what if everyone lives. ryandobrin.com

Scenic + Costume Design/Producer

Clint Ramos is a Tony Award-winning creative director, designer, and producer.  He is the Co-Founder of Theatre Group Asia and recently produced the sold-out productions of The Notebook and Stephen Sondheim’s Into the Woods, starring Lea Salonga, Arielle Jacobs and the critically acclaimed production of A Chorus Line, directed and choreographed by Karla Puno Garcia. He serves as Artist-in-Residence at Lincoln Center as well as the Visual Director for Lincoln Center’s Summer for the City, where he reimagines the entire Lincoln Center campus each summer into a vibrant stage for more than 300 events that serve New York City’s diverse communities. He designed costumes for The Metropolitan Opera’s sold-out production of Tristan und Isolde.  Ramos was a lead producer of the groundbreaking Broadway musical Here Lies Love, and is currently the Producing Creative Director for Encores! at New York City Center.  As a designer, Ramos has created over 200 productions across theater, opera, and dance. His Broadway credits include Maybe Happy Ending, Eureka Day, Here Lies Love, KPOP and Slave Play.

Lighting + Co-Sound Design

Nick is a director, designer, and producer. As Brouhaha’s co-founder, he’s directed all of its productions, most recently The Vicky Archives (The Tank Core Production). Recent: Geraldine Realigned (The Brick, Lighting/Sound Designer), Sleep No More (Production Manager), Twilight Village (Historic Hudson Valley), The Headless Horseman Files (Historic Hudson Valley). Upcoming: Rip Van Winkle (Historic Hudson Valley), Centralia: An End Times Hymn (Brouhaha). nickauer.com

Video + Co-Sound Design

Dan is a writer, editor, and actor based in New York. He is a member of Brouhaha, and has worked with John Jesurun, Brooke O’Harra, Jeff Weiss, and Yoshiko Chuma and the School of Hard Knocks, among others.

Set Decorator + Props Design

Broadway: The Balusters, Yellow Face, Trouble in Mind, Slave Play & August Wilson Lobby Decorator. Prop Designer/Supervisor for over 85 Off-Broadway shows, including: Spelling Bee revival, This World of Tomorrow, Caroline, Trophy Boys, Dracula Comedy of Terrors (props & puppets). Corporate: Google, Samsung, Grammys, Emmys.  Production Design: "Souvenir,"  "Dancing Monkey" Feature Films, various short films including Lead Set Dec/Specialty Props for "The Heart" directed/written by Malia Ann Obama (Sundance 2024), LinkedIn, Sony, Novartis, NBCUniversal, Disney, Marvel. Professor at Citytech.  Freelance Interior Designer & Artist.  www.smartsetsbysam.com.

Associate Director & Intimacy Director

Isabelle is a director, intimacy coordinator, and producer of new work. Associate directing credits include you don't have to do anything (dir. Ryan Dobrin, HERE Arts), Twilight Village (dir. Nick Auer, Historic Hudson Valley), and several pieces in development (dir. Maria Friedman). Producing credits include projects at Classic Stage Company, 59E59, Target Margin, and The Tank. isabellechirls.com

Production Stage Manager

A proud Chicago native based in New York, is a director and stage manager. Her credits include The 24 Hour Plays (Nationals, Broadway), ENRON & The Moors (Atlantic Acting School), Mabou Mines: REMIX Party, benevolent andRoad Kills (Good Apples Collective).

Production Management

Sightline’s current and recent projects include: The Conversation, Slanted Floors, Here There Are Blueberries, Paddington: The Musical, Stranger Things: The First Shadow, Death of a Salesman, Liberation, Spamalot Revival National Tour, Hadestown 2nd National Tour, Black Swan: The Musical, A Walk On The Moon, Have We Now…, Burnout Paradise, The Movement You Need, 44: The Obama Musical, Mamma Mia!, Gypsy, Cabaret at the Kit Kat Club, and more.

General Management

Founded in 2014 by Andy Jones & joined by Nick Lugo. Broadway: Hamilton, Proof, Cats: The Jellicle Ball, The Queen of Versailles, The Last Five Years, Sweeney Todd, Fat Ham, freestyle love supreme, Pass Over, Derren Brown: Secret, The Cher Show, The Great Comet, and The Last Ship. Off-Broadway: The Conversation, A View from the Bridge, Burnout Paradise, Ginger Twinsies, Teeth, The White Chip, The Enigmatist, and the inaugural five years of Audible Theater at the Minetta Lane.  Established Beyond the Stage Door, a no-cost educational intensive created to prepare underrepresented undergraduates for theatre management careers. baselinetheatrical.com

Marketing + Advertising

Regular People is an award winning creative studio founded and run by Jacob Stuckelman and Andrew Patino that seamlessly connects producing, marketing, and general management for live entertainment all under one roof. Regular People is developing several projects across Broadway, Off-Broadway, and London including the New York Times Critic’s Pick production of Bubba Weiler’s Well I’ll Let You Go directed by Jack Serio at Studio Seaview following the award-winning sold-out run at The Space at Irondale, the U.S. premiere of Blackout Songs by Joe White (Olivier Award nominee), Pepper Slit: Live in Her Living Room starring Chloe Troast, the two-time Drama Desk Award–winning production of Ken Urban’s Danger and Opportunity, and the new musical In Pieces by Joey Contreras, a two-time Fred Ebb Award finalist and three-time Jonathan Larson Grant finalist. Regular People also collaborates with leading independent producers in New York and London to help bring compelling theatrical work to wider audiences. Current and recent marketing clients include The Festival in upstate New York, Marin Ireland’s Pre-Existing Condition, Disruption, Heated Rivalry: The Unauthorized Musical Parody, Delirium, Mexodus, and NARUTO Ninja Show in Kyoto, Japan. The Regular People marketing team is Andrew Patino, Ashley Dinges, Mae Archacki and Trey Sullivan.

Press

Amanda Meyer is a theatrical publicist and founder of AJM PR, established in 2024. Broadway clients have included Tony Award-winning Michael Arden (A Few Good Men, The Lost Boys, Maybe Happy Ending); Tony Award-winning Dane Laffrey (The Lost Boys, Maybe Happy Ending); Tony Award-winning Clint Ramos (Lincoln Center, NYCC, Maybe Happy Ending); Tony Award-winning Jen Schriever (The Lost Boys), Oscar and Tony Award-winning Paul Tazewell (Universal's Wicked, Death Becomes Her); Tony Award-winning Betty Buckley; Tony-nominated producer Brian Moreland (Joe Turner’s Come and Gone, Othello); Ross Baum (Wanted), and Angelica Chéri (Wanted). Clients include Springboard to Design, the off-Broadway production of Amaze and Civilian Hotel. Previously, at DKC/O&M, Meyer worked on Broadway productions including the revival of Parade, The Wiz, Almost Famous, and Bob Fosse’s Dancin’. Visit ameyerpr.com.

Casting - Alex Cortinas, CSA

With offices in both New York and Los Angeles, The Telsey Office casts for theatre, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy. Please visit thetelseyoffice.com for our credits.

Artwork Design

Caitlin lives and makes art in the upper Hudson Valley. @caitlinbebb

Producer

A Tony Award–nominated and Olivier Award–winning production company that finances, develops and produces artist-driven work across Broadway, the West End, Off-Broadway and the screen. The company has produced Waiting for Godot with Keanu Reeves and Alex Winter, Every Brilliant Thing with Daniel Radcliffe and Mariska Hargitay, Oedipus with Mark Strong and Lesley Manville, Paddington The Musical and Delirium at Irondale. It is also the exclusive development partner on the forthcoming Cat on a Hot Tin Roof.

Prior, Adam Zell has produced Good Night, and Good Luck with George Clooney, Glengarry Glen Ross with Bob Odenkirk and Kieran Culkin, John Proctor Is the Villain with Sadie Sink, Anastasia, Company, Indecent, The Inheritance and The Lehman Trilogy.

Producer

Patrick is a multiple Tony and Olivier Award-winning producer. He is represented this season on Broadway by the transfer of Rob Icke’s Oedipus starring Mark Strong and Lesley Manville and Stephen Adly Guirgis’ adaptation of Dog Day Afternoon starring Jon Bernthal and Ebon Moss-Bachrach. His previous producing credits include Merrily We Roll Along; An Enemy of the People; Gutenberg! The Musical; Kimberly Akimbo; Here Lies Love; Mike Birbiglia’s The Old Man and the Pool; David Byrne’s American Utopia (also the HBO film directed by Spike Lee for which he received an Emmy nomination); Girl from the North Country; Fleabag; Network; 1984; the 50th anniversary revival of Mart Crowley’s groundbreaking The Boys in the Band; Nick Kroll and John Mulaney’s Oh, Hello; The Elephant Man; Hedwig and the Angry Inch; If/Then; the Pulitzer Prize-winning musical Next to Normal; and The 25th Annual Putnam County Spelling Bee. Patrick is a graduate of Yale.

Producer

No Guarantees is a Tony Award–winning theatre producer and investor pushing the boundaries of how theatre is developed and experienced. Founded in 2017, No Guarantees produces artist-driven stories across Broadway, the West End, and Off-Broadway, while investing in the people, companies, ideas, technology, and venues shaping the future of live theatre. From the historic Astor Place Theatre, which it programs and operates as a hub for bold new work, to serving as lead investor in the inaugural funding round for digital media company, SINE Digital, No Guarantees leverages its deep experience and resources to take strategic risks that move the theatre industry forward.

No Guarantees Productions has produced Schmigadoon!, which won the 2026 Tony Award for Best Musical; Jez Butterworth's Tony-nominated The Hills of California; James Ijames' Pulitzer Prize-winning play, Fat Ham on Broadway; Player Kings, featuring Ian McKellen, in the West End; and Nell Benjamin and Larry O'Keefe's original musical Huzzah! at The Old Globe. Co-producing credits include Stereophonic, Merrily We Roll Along, and Hadestown, among many other productions. Learn more at noguarantees.com.

Associate Producer

Associate Producer

Sam Myers, Paige Lipari, Kate Eminger, Egg & Spoon Theatre Collective (Liam Lonegan, Adam Coy), John Nijhawan, Julia Newitt, Nina Lucey, Jehan O. Young, Daphne Overbeck, Julian Ramirez, The Movement Theatre Company, Theresa Buchheister, Bill McEntee, Joseph Medeiros, Sean Frank, Jess Tsang and Julian Hornik.

The use of cell phones during the performance is prohibited by law.